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It is also distinct from other Western occult movements that are either revivalist in their inspiration (such as Wicca or neopagan religions) or related to the „pop culture‟ of the last quarter of the twentieth century, such as the movements of New Age and Chaos Magick. This occultism is distinct from folk, popular, or religious/devotional forms of magic, which also occur in the West as well as in other cultures and societies. The adjective „Hermeticist‟, derived from the noun Hermeticism, refers to a form of traditional Western urban, learned and humanist occultism. Musical grammars thus comprise rules pertaining to the construction and selection of both „lineal‟ musical materials such as pitch rows, rhythms, motifs and timbres, as well as of simultaneous events such as harmonic or contrapuntal textures. „Grammar‟ here is used in the sense of a set of rules which govern the construction of musical discourse. It puts to the reader‟s consideration a few proposals for Hermeticist grammars of musical composition.
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University of Newcastle upon Tyne School of Arts and Cultures November 2011Ībstract This thesis is a composer‟s manual on how to select and appropriately use musical materials in accordance with some of the parameters of the Hermetic Tradition. Submitted as fulfilment of the requirements for the degree of Doctor of Philosophy in Music (PhD in Music) Towards Hermeticist Grammars of Music: A Proposal for Systems of Composition Based on the Principles of the Hermetic Tradition, with Musical Demonstrations